The Quadcast S is so convenient, so stylish, and sounds so good that it's hard to imagine ways that it could be better without fundamentally changing who it's designed for. But it would be nice to see more tools for controlling audio than it has for lighting. Curiously, it displays which polar patterns are available, but since this is set with a hardware switch, you can't change it in the app.Īgain, it's not a major concern, since whatever app you're using to stream or record probably already has most of these features. There's no way to add a high- or low-pass filter, no vocal effects, and the aforementioned lack of a level meter in the app. My one gripe is that the Ngenuity software, while great for customizing the RGB lighting, is pretty useless for almost anything else. It doesn't have much professional flexibility, but if you want a set-it-and-forget-it microphone that sounds great out of the box, this is the one to go with. The signal processing on the Quadcast S manages to bring out rich, deeper tones, without crushing higher vocal frequencies too much. Of course, it wouldn't be this popular if it didn't have the audio quality to match. ![]() The mic also connects via USB-C, a welcome upgrade over the mini USB of the previous Quadcast mic (as well as some competing mics, including the Blue Yeti). These are fairly standard, and you probably won't ever need to change the pattern if you use a consistent setup and only record yourself, but it's still nice to have the flexibility. On the rear of the microphone, there's a dial to switch between four polar patterns: stereo, omnidirectional, cardioid, and bidirectional. Or at least blink red when I start peaking! Whatever, it's fine. Just turn the whole mic into a level meter while the gain knob is in use. This isn't a huge problem, since apps like OBS usually have them already, but come on HyperX: The LEDs are right there. The only minor quibble I have with this is that there's no input level indicator on the microphone itself, or in HyperX's software, to help position the gain. This made it easy to adjust the input level on the fly. On the (literal) flip side, there's a gain knob built into the bottom of the microphone. Muting the microphone also disables the colorful LEDs, so you get instant feedback that it's safe to talk. ![]() ![]() This is easily one of the handiest features, especially if you need to quickly cut your audio while on a livestream. But if I'd had this HyperX mic first, I might've been.įor starters, on the top of the microphone, there's a touch-sensitive pad that can mute the microphone. It's not that I was ever dissatisfied with my old Blue Yeti, necessarily. I had only used the Quadcast S for an hour or two before I had the distinct thought that whoever designed it must have spent a lot of time with other USB mics.
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